Browsing Dr. Mark A. McCutcheon by Title
Now showing items 1-20 of 26
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The Cento, Romanticism, and Copyright
(English Studies in Canada, 2013)This article excavates the obscure literary genre of the cento – a genre of poetry defined by its wholly derivative composition from quotations of other works – and its supplementary relation to Romantic literature and the ... -
A Close Reading of Part 5 of Robert Kroetsch’s 1977 long poem SEED CATALOGUE
(The Explicator, 2017)A close reading of Part 5 of Robert Kroetsch's 1977 long poem Seed Catalogue -
"Come on back to the war": Germany as the Other National Other in Canadian Popular Literature
(University of Toronto Quarterly, 2009)This essay argues for bringing the methodology of post-colonial studies to bear on mainstream Canadian popular culture, towards a rethinking of Canada's ideological affinities with nations traditionally considered as ... -
Cynicism, the Heuristic Pharmakon
(English Studies in Canada, 2012-06)Cynicism can productively guide critical thinking about social relations under late neoliberal capital, in terms of power and ethics, in terms of knowledge and interpretation. A cynical perspective makes for a safe bet in ... -
The DJ as Critic, "constructing a sort of argument"
(English Studies in Canada, 2015)Countering romanticized representations of the disc jockey (DJ) as author, rock star, or shaman, this essay argues that the DJ is best understood as a critic, emblematic of appropriation as criticism in a mediascape ... -
Downloading Doppelgängers: New Media Anxieties and Transnational Ironies in Battlestar Galactica
(SFFTV, Liverpool University Press, 2009)This essay reads the re-made Battlestar Galactica series—-a 21st-century Frankenstein—-according to the Canadian contexts of its production and the globalized contexts of its distribution, both formal (on cable TV) and ... -
Dubjection: A Node (Reflections on Web-Conferencing, McLuhan, and Intellectual Property)
(2014-03-20)From the editors' introduction to the book in which this chapter appears, _McLuhan's Global Village Today_ (Pickering & Chatto, 2014): "Mark A. McCutcheon’s contribution, ‘Dubjection: A Node (Reflections on Web-Conferencing, ... -
Fair dealing: We’ve got it, let’s use it. Review of Rosemary Coombe et al's Dynamic Fair Dealing
(Digital Studies/Le champ numérique, 2016)This review of Rosemary Coombe et al's edited collection Dynamic Fair Dealing: Creating Canadian culture online (University of Toronto Press, 2014) sketches the global and Canadian copyright contexts that make this book ... -
Frankenstein as a figure of globalization in Canada’s postcolonial popular culture
(Routledge/Taylor & Francis, 2011-10)This essay analyzes the cultural functions of Frankenstein as a figure of globalization in postcolonial popular culture. Focusing on the case of Canadian film production, I begin by contextualizing Canadian film as a ... -
Institutions and Interpellations of the Dubject, the Doubled and Spaced Self
(Athabasca University Press, 2016)This essay develops the idea of the dubject as a model of remediateda subjectivity. It will discuss some theoretical and institutional contexts of the dubject, and then will consider digital manifestations of the dubject ... -
Introduction to New Fronts in the Copyfight, Part 1 (2014-15)
(Digital Studies/Le champ numérique, 2015)Intellectual property (IP) is a subject of concern to all academics because it is the legal-economic infrastructure of all academic work. The long-increasing, now accelerating, and multilateral strengthening of IP regulation ... -
Introduction to New Fronts in the Copyfight, Part 2 (2015-16)
(Digital Studies/Le champ numérique, 2016)This article introduces the second part of New fronts in the copyfight: Multidisciplinary directions in critical copyright studies (the first part of which appeared in DSCN Vol. 4 [2014]). The article surveys recent and ... -
Ipsographing the Dubject; or, The Contradictions of Twitter
(Socialist Studies, 2009) -
Liber Amoris and the Lineaments of Hazlitt’s Desire
(TSLL, University of Texas Press, 2004)This essay counters the literary critical consensus whereby William Hazlitt’s representations of the woman he arguably libeled in Liber Amoris have been taken at face value. The essay first historicizes Hazlitt’s professional ... -
"Little crimeworn histories": Nick Cave and the Roots-Raves-Rehab Story of Rock Stardom
(Palgrave Macmillan, 2018)From James Rovira's introduction: "Mark A. McCutcheon shifts the locus of suffering to substance abuse in '"Little crimeworn histories": Nick Cave and the Roots-Raves-Rehab Story of Rock Stardom.' McCutcheon examines the ... -
The Medium Is the Monster: Canadian Adaptations of Frankenstein and the Discourse of Technology
(Athabasca University Press, 2018)Technology, a word that emerged historically first to denote the study of any art or technique, has come, in modernity, to describe advanced machines, industrial systems, and media. McCutcheon argues that it is Mary Shelley’s ... -
A Midsummer Night's Mash-up: Adapting Shakespeare as a Canada Day Dance Party
(Canadian Theatre Review, 2002)On 1 July 2000, Toronto's Opera House became the unlikely set for a passing strange adaptation of Shakespeare's A Midsummer Night's Dream. Serenity Industries, a Toronto dance party promotion company, hired the Queen ... -
Monstrous Times Call For Monstrous Methods: Review of Monsters of the Market: Zombies, Vampires, and Global Capitalism, by David McNally
(Extrapolation (Liverpool UP), 2014)A book review of Monsters of the Market: Zombies, Vampires, and Global Capitalism (2012) by David McNally, published in the science fiction studies journal Extrapolation. -
On "Vulgar Exhibition": Hazlitt, "The Fight" and the Pornography of Popularity
(Nineteenth-Century Prose, 2009)This essay pursues Hazlitt as a case in Cultural Studies historiography by reading his 1822 essay "The Fight" as a contribution to the historical emergence of the discourse of "popular culture" as a class-inflected euphemism ... -
Postmodern theory's retreat amidst postmodern art's return: neglect of IP law as a possible cause of postmodernism's "death"
(Faculty of Humanities & Social Sciences, Athabasca University, 2015-09-23)Despite the centrality of appropriation to postmodernist aesthetics, despite the embroilment of postmodernist artists in copyright actions, and despite the steady toughening of intellectual property (IP) law during the ...