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Paratextual and "sampladelic" techniques for "committing centonism" in contemporary poetry published in Canada (Wissenschaftlicher Verlag Trier, 2022-04)This chapter attempts to model a twofold method for reading centos ‒- poems composed wholly of excerpts from other works -‒ in relation to intellectual property (IP) law, in the context of contemporary poetry published in ...
Reading poetry and its paratexts for evidence of fair dealing: Mary Dalton’s Hooking, cento poetics, and copyright law (2020-11-14)A close reading of Canadian poetry books’ citational paratexts — such as the copyright page, whose statements hold both intertextual information and legal consequence — argues that Canadian poetry publishers make extensive ...
(University of Delaware Press, 2022)This chapter first reprises the twofold argument from my book The Medium Is the Monster: the argument that Mary Shelley's Frankenstein effectively reinvented the meaning of the word "technology" for modern English, and ...
(Guernica Editions, 2012)
(University of Ottawa, 2016)