Five–Fold Translation in the Theatre of Marco Micone

dc.contributor.author	Pivato, Joseph J.
dc.date.accessioned	2015-05-06T20:58:59Z
dc.date.available	2015-05-06T20:58:59Z
dc.date.issued	2001
dc.identifier.citation	Five-Fold Translation in the Theatre of Marco Micone © 2001 Joseph Pivato, Canadian Theatre Review, 2000.	en
dc.identifier.uri	http://hdl.handle.net/2149/3505
dc.description.abstract	In the complex relationship between the literatures of English Canada and Quebec translation has played an important role. Now with the emergence of ethnic minority writing in Canada this binary model of the literary institutions must be reformulated. The processes of translation are made even more complex by the phenomena of heritage languages and ethnic minority cultures. How are these developments represented on stage in the French theatres of Montreal?	en
dc.language.iso	en	en
dc.publisher	Canadian Theatre Review	en
dc.subject	Theatre	en
dc.subject	Marco Micone	en
dc.subject	Ethnic minority writing	en
dc.subject	Translation	en
dc.subject	Heritage languages	en
dc.subject	Ethnic minority cultures	en
dc.title	Five–Fold Translation in the Theatre of Marco Micone	en
dc.type	Article	en