On "Vulgar Exhibition": Hazlitt, "The Fight" and the Pornography of Popularity

dc.contributor.author	McCutcheon, Mark A.
dc.date.accessioned	2013-01-14T02:49:00Z
dc.date.available	2013-01-14T02:49:00Z
dc.date.issued	2009
dc.identifier.citation	McCutcheon, Mark A. “On ‘Vulgar Exhibition’: Hazlitt, ‘The Fight’ and the Pornography of Popularity.” William Hazlitt. Ed. James Mulvihill. Spec. issue of Nineteenth-Century Prose 36.1 (2009): 77-100.	en
dc.identifier.issn	1052-0406
dc.identifier.uri	http://hdl.handle.net/2149/3294
dc.description.abstract	This essay pursues Hazlitt as a case in Cultural Studies historiography by reading his 1822 essay "The Fight" as a contribution to the historical emergence of the discourse of "popular culture" as a class-inflected euphemism for pornography. This approach also addresses the popular cultural preoccupations of contemporary criticism on the essay.	en
dc.language.iso	en	en
dc.publisher	Nineteenth-Century Prose	en
dc.subject	literature	en
dc.subject	William Hazlitt	en
dc.subject	Cultural Studies	en
dc.subject	essay	en
dc.subject	popular culture	en
dc.subject	pornography	en
dc.title	On "Vulgar Exhibition": Hazlitt, "The Fight" and the Pornography of Popularity	en
dc.type	Article	en