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Downloading Doppelgängers: New Media Anxieties and Transnational Ironies in Battlestar Galactica
(SFFTV, Liverpool University Press, 2009)
This essay reads the re-made Battlestar Galactica series—-a 21st-century Frankenstein—-according to the Canadian contexts of its production and the globalized contexts of its distribution, both formal (on cable TV) and ...
Techno, Frankenstein and copyright
(Cambridge Journals, Cambridge University Press, 2007)
This essay argues that the widespread but not widely recognised adaptation of Frankenstein in contemporary dance music problematises the ‘technological’ constitution of modern copyright law as an instrument wielded by ...