Now showing items 1-4 of 4

    • Frankenstein as a figure of globalization in Canada’s postcolonial popular culture 

      McCutcheon, Mark A. (Routledge/Taylor & Francis, 2011-10)
      This essay analyzes the cultural functions of Frankenstein as a figure of globalization in postcolonial popular culture. Focusing on the case of Canadian film production, I begin by contextualizing Canadian film as a ...
    • The Medium Is the Monster: Canadian Adaptations of Frankenstein and the Discourse of Technology 

      McCutcheon, Mark A. (Athabasca University Press, 2018)
      Technology, a word that emerged historically first to denote the study of any art or technique, has come, in modernity, to describe advanced machines, industrial systems, and media. McCutcheon argues that it is Mary Shelley’s ...
    • On "Vulgar Exhibition": Hazlitt, "The Fight" and the Pornography of Popularity 

      McCutcheon, Mark A. (Nineteenth-Century Prose, 2009)
      This essay pursues Hazlitt as a case in Cultural Studies historiography by reading his 1822 essay "The Fight" as a contribution to the historical emergence of the discourse of "popular culture" as a class-inflected euphemism ...
    • Stephen Harper as killer robot 

      McCutcheon, Mark A. (English Studies in Canada, 2017)
      In popular culture and public discourse, especially on the Internet, the image of Canada’s former Prime Minister Stephen Harper is conspicuously characterized and caricatured as robotic [...] Amidst popular culture’s hordes ...

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