A book review of Monsters of the Market: Zombies, Vampires, and Global Capitalism (2012) by David McNally, published in the science fiction studies journal Extrapolation.

Countering romanticized representations of the disc jockey (DJ) as author, rock star, or shaman, this essay argues that the DJ is best understood as a critic, emblematic of appropriation as criticism in a mediascape ...

Intellectual property (IP) is a subject of concern to all academics because it is the legal-economic infrastructure of all academic work. The long-increasing, now accelerating, and multilateral strengthening of IP regulation ...

In popular culture and public discourse, especially on the Internet, the image of Canada’s former Prime Minister Stephen Harper is conspicuously characterized and caricatured as robotic [...] Amidst popular culture’s hordes ...

From James Rovira's introduction: "Mark A. McCutcheon shifts the locus of suffering to substance abuse in '"Little crimeworn histories": Nick Cave and the Roots-Raves-Rehab Story of Rock Stardom.' McCutcheon examines the ...

On 1 July 2000, Toronto's Opera House became the unlikely set for a passing strange adaptation of Shakespeare's A Midsummer Night's Dream. Serenity Industries, a Toronto dance party promotion company, hired the Queen ...

A close reading of Part 5 of Robert Kroetsch's 1977 long poem Seed Catalogue