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Now showing items 171-180 of 202
A Midsummer Night's Mash-up: Adapting Shakespeare as a Canada Day Dance Party
(Canadian Theatre Review, 2002)
On 1 July 2000, Toronto's Opera House became
the unlikely set for a passing strange adaptation of Shakespeare's A Midsummer Night's Dream. Serenity Industries, a Toronto dance party promotion company, hired the Queen ...
Ipsographing the Dubject; or, The Contradictions of Twitter
(Socialist Studies, 2009)
The Medium Is the Monster: Canadian Adaptations of Frankenstein and the Discourse of Technology
(Athabasca University Press, 2018)
Technology, a word that emerged historically first to denote the study of any art or technique, has come, in modernity, to describe advanced machines, industrial systems, and media. McCutcheon argues that it is Mary Shelley’s ...
Rocket Scientists' Guide to Money and the Economy
(2017)
Rocket Scientists' Guide to Money and the Economy is a popular and critical introduction to money, capitalist accumulation, and debt.
A New Monster Manual, in Theory (Review of The Monster Theory Reader, ed. Jeffrey Andrew Weinstock)
(Extrapolation, 2021)
A review of The Monster Theory Reader, edited by Jeffrey Andrew Weinstock (U of Minnesota P, 2020), in the SF studies journal Extrapolation vol. 62 no. 3 (2021). This is a post-print copy; the published version of record ...
Review of The Expanse (TV series)
(SFRA Review, 2021-05-04)
A co-authored review of The Expanse (TV series), focusing on Season 5, for the open-access online journal SFRA Review
Atwood’s Survival: A Critique
(University of Ottawa, 2016)
Postmodern theory's retreat amidst postmodern art's return: neglect of IP law as a possible cause of postmodernism's "death"
(Faculty of Humanities & Social Sciences, Athabasca University, 2015-09-23)
Despite the centrality of appropriation to postmodernist aesthetics, despite the embroilment of postmodernist artists in copyright actions, and despite the steady toughening of intellectual property (IP) law during the ...