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Now showing items 191-200 of 234
Stephen Harper as killer robot
(English Studies in Canada, 2017)
In popular culture and public discourse, especially on the Internet, the image of Canada’s former Prime Minister Stephen Harper is conspicuously characterized and caricatured as robotic [...] Amidst popular culture’s hordes ...
Institutions and Interpellations of the Dubject, the Doubled and Spaced Self
(Athabasca University Press, 2016)
This essay develops the idea of the dubject as a model of remediateda subjectivity. It will discuss some theoretical and institutional contexts of the dubject, and then will consider digital manifestations of the dubject ...
"Come on back to the war": Germany as the Other National Other in Canadian Popular Literature
(University of Toronto Quarterly, 2009)
This essay argues for bringing the methodology of post-colonial studies to bear on mainstream Canadian popular culture, towards a rethinking of Canada's ideological affinities with nations traditionally considered as ...
"Little crimeworn histories": Nick Cave and the Roots-Raves-Rehab Story of Rock Stardom
(Palgrave Macmillan, 2018)
From James Rovira's introduction: "Mark A. McCutcheon shifts the locus of suffering to substance abuse in '"Little crimeworn histories": Nick Cave and the Roots-Raves-Rehab Story of Rock Stardom.' McCutcheon examines the ...
Monstrous Times Call For Monstrous Methods: Review of Monsters of the Market: Zombies, Vampires, and Global Capitalism, by David McNally
(Extrapolation (Liverpool UP), 2014)
A book review of Monsters of the Market: Zombies, Vampires, and Global Capitalism (2012) by David McNally, published in the science fiction studies journal Extrapolation.
A Close Reading of Part 5 of Robert Kroetsch’s 1977 long poem SEED CATALOGUE
(The Explicator, 2017)
A close reading of Part 5 of Robert Kroetsch's 1977 long poem Seed Catalogue
Reading poetry and its paratexts for evidence of fair dealing: Mary Dalton’s Hooking, cento poetics, and copyright law
(2020-11-14)
A close reading of Canadian poetry books’ citational paratexts — such as the copyright page, whose statements hold both intertextual information and legal consequence — argues that Canadian poetry publishers make extensive ...
Frankenstein Meets the FAANG Five: Figures of Monstrous Technology in Digital Media Discourse
(University of Delaware Press, 2022)
This chapter first reprises the twofold argument from my book The Medium Is the Monster: the argument that Mary Shelley's Frankenstein effectively reinvented the meaning of the word "technology" for modern English, and ...
Walking the Walk: George Elliott Clarke's Creative Practice
(Guernica Editions, 2012)
Atwood’s Survival: A Critique
(University of Ottawa, 2016)