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Now showing items 11-17 of 17
Monstrous Times Call For Monstrous Methods: Review of Monsters of the Market: Zombies, Vampires, and Global Capitalism, by David McNally
(Extrapolation (Liverpool UP), 2014)
A book review of Monsters of the Market: Zombies, Vampires, and Global Capitalism (2012) by David McNally, published in the science fiction studies journal Extrapolation.
A Close Reading of Part 5 of Robert Kroetsch’s 1977 long poem SEED CATALOGUE
(The Explicator, 2017)
A close reading of Part 5 of Robert Kroetsch's 1977 long poem Seed Catalogue
"Little crimeworn histories": Nick Cave and the Roots-Raves-Rehab Story of Rock Stardom
(Palgrave Macmillan, 2018)
From James Rovira's introduction: "Mark A. McCutcheon shifts the locus of suffering to substance abuse in '"Little crimeworn histories": Nick Cave and the Roots-Raves-Rehab Story of Rock Stardom.' McCutcheon examines the ...
Fair dealing: We’ve got it, let’s use it. Review of Rosemary Coombe et al's Dynamic Fair Dealing
(Digital Studies/Le champ numérique, 2016)
This review of Rosemary Coombe et al's edited collection Dynamic Fair Dealing: Creating Canadian culture online (University of Toronto Press, 2014) sketches the global and Canadian copyright contexts that make this book ...
The Medium Is the Monster: Canadian Adaptations of Frankenstein and the Discourse of Technology
(Athabasca University Press, 2018)
Technology, a word that emerged historically first to denote the study of any art or technique, has come, in modernity, to describe advanced machines, industrial systems, and media. McCutcheon argues that it is Mary Shelley’s ...
Stephen Harper as killer robot
(English Studies in Canada, 2017)
In popular culture and public discourse, especially on the Internet, the image of Canada’s former Prime Minister Stephen Harper is conspicuously characterized and caricatured as robotic [...] Amidst popular culture’s hordes ...
Postmodern theory's retreat amidst postmodern art's return: neglect of IP law as a possible cause of postmodernism's "death"
(Faculty of Humanities & Social Sciences, Athabasca University, 2015-09-23)
Despite the centrality of appropriation to postmodernist aesthetics, despite the embroilment of postmodernist artists in copyright actions, and despite the steady toughening of intellectual property (IP) law during the ...