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Now showing items 1-10 of 17
The Cento, Romanticism, and Copyright
(English Studies in Canada, 2013)
This article excavates the obscure literary genre of the cento – a genre of poetry defined by its wholly derivative composition from quotations of other works – and its supplementary relation to Romantic literature and the ...
Frankenstein as a figure of globalization in Canada’s postcolonial popular culture
(Routledge/Taylor & Francis, 2011-10)
This essay analyzes the cultural functions of Frankenstein as a figure of globalization in postcolonial popular culture. Focusing on the case of Canadian film production, I begin by contextualizing Canadian film as a ...
Dubjection: A Node (Reflections on Web-Conferencing, McLuhan, and Intellectual Property)
(2014-03-20)
From the editors' introduction to the book in which this chapter appears, _McLuhan's Global Village Today_ (Pickering & Chatto, 2014): "Mark A. McCutcheon’s contribution, ‘Dubjection: A Node (Reflections on Web-Conferencing, ...
The Medium Is the Monster: Canadian Adaptations of Frankenstein and the Discourse of Technology
(Athabasca University Press, 2018)
Technology, a word that emerged historically first to denote the study of any art or technique, has come, in modernity, to describe advanced machines, industrial systems, and media. McCutcheon argues that it is Mary Shelley’s ...
Postmodern theory's retreat amidst postmodern art's return: neglect of IP law as a possible cause of postmodernism's "death"
(Faculty of Humanities & Social Sciences, Athabasca University, 2015-09-23)
Despite the centrality of appropriation to postmodernist aesthetics, despite the embroilment of postmodernist artists in copyright actions, and despite the steady toughening of intellectual property (IP) law during the ...
Cynicism, the Heuristic Pharmakon
(English Studies in Canada, 2012-06)
Cynicism can productively guide critical thinking about social relations under late neoliberal capital, in terms of power and ethics, in terms of knowledge and interpretation. A cynical perspective makes for a safe bet in ...
The DJ as Critic, "constructing a sort of argument"
(English Studies in Canada, 2015)
Countering romanticized representations of the disc jockey (DJ) as author, rock star, or shaman, this essay argues that the DJ is best understood as a critic, emblematic of appropriation as criticism in a mediascape ...
Resistance is Futile: On the Under-Representation of Unions in Science Fiction
(TOPIA: Canadian Journal of Cultural Studies, 2016)
This article surveys science fiction (SF) since 1980, and queries the conspicuous under-representation of recognizable images of unions in popular SF, which includes, in contrast, numerous images and narratives of corporate ...
Fair dealing: We’ve got it, let’s use it. Review of Rosemary Coombe et al's Dynamic Fair Dealing
(Digital Studies/Le champ numérique, 2016)
This review of Rosemary Coombe et al's edited collection Dynamic Fair Dealing: Creating Canadian culture online (University of Toronto Press, 2014) sketches the global and Canadian copyright contexts that make this book ...