This chapter attempts to model a twofold method for reading centos ‒- poems composed wholly of excerpts from other works -‒ in relation to intellectual property (IP) law, in the context of contemporary poetry published in ...

This chapter first reprises the twofold argument from my book The Medium Is the Monster: the argument that Mary Shelley's Frankenstein effectively reinvented the meaning of the word "technology" for modern English, and ...