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Paratextual and "sampladelic" techniques for "committing centonism" in contemporary poetry published in Canada
(Wissenschaftlicher Verlag Trier, 2022-04)
This chapter attempts to model a twofold method for reading centos ‒- poems composed wholly of excerpts from other works -‒ in relation to intellectual property (IP) law, in the context of contemporary poetry published in ...
Frankenstein Meets the FAANG Five: Figures of Monstrous Technology in Digital Media Discourse
(University of Delaware Press, 2022)
This chapter first reprises the twofold argument from my book The Medium Is the Monster: the argument that Mary Shelley's Frankenstein effectively reinvented the meaning of the word "technology" for modern English, and ...